INTIMACY COORDINATOR ROSTER LAUNCH

We are excited to announce the launch of our new roster of Intimacy Coordinators here at Wizzo & Co!

As the demand for Intimacy Coordinators continues to grow across the industry, this roster brings together a group of skilled professionals dedicated to supporting productions in creating respectful, collaborative, and creative environments that honour the vision of the production while supporting actors and crew.

Each of our IC’s are BECTU registered and bring a unique perspective to the role, with backgrounds and experience from across the industry. You can learn more about our roster below:

PIA RICKMAN – is a Finnish-British Intimacy Coordinator based in London. She’s recognised as one of the first IC’s to work in Europe across film, TV, theatre and commercials. Her TV credits include Apple TV’s Ted Lasso (S3), The Diplomat for Netflix and Romantic Getaway (S1) for Sky Studios. Pia’s feature credits include, What Remains featuring Stellan Skarsgård, Girl Picture directed by Alli Haapasalo and Tove directed by Zaida Bergroth.
Pia also works as an acting coach as well as being Co-Founder and Intimacy Coordinator Trainer at Nordic Intimacy Coordinators where she teaches the next generation of Intimacy Coordinators.

JAMILA WINGETT – is an Intimacy Coordinator with a background in acting. Working across TV and film, her credits include Sky’s RTS Winning Comedy Drama, Brassic (S6 & S7) and BBC / New Pictures’ Phoenix Rise and Crongton.
Jamila’s feature credits include Picture This starring Simone Ashley, Next Life featuring Emilia Clarke and most recently Raine Allen-Miller’s latest film The Roots Manoeuvre.

LAURA PARKINSON-TUTHILL – is a Wales based NFTS-qualified Intimacy Coordinator working across Film and TV. Her TV credits include Amazon’s Young Sherlock, BBC’s The Other Bennet Sister, Mammoth (S2) and The Responder (S2). Laura’s feature credits include Madfabulous directed by Celyn Jones.
Laura has a unique perspective, having previously worked as a 1st Assistant Director, providing her with an understanding of the practical realities of running a set, balancing creative needs with logistics, and supporting collaboration between departments.